COLLECTIVE EXHIBITION
Donde el agua vuelve (Where the Water Returns), by Marta Villa. Explores old age, grief, and the fragility of memory through an intimate, documentary gaze. The sea and tears articulate a reflection on loss and permanence, placing at their center those people who are often forgotten, and reclaiming the importance and dignity they deserve. Marta Villa is a documentary photographer based in Mallorca. Her work explores memory, territory, and emotional bonds through an intimate, contemporary lens. She has exhibited at Can Balaguer, La Misericòrdia, JUSTMAD, and SUMMA Mallorca. A finalist for Art Jove Mallorca, she has completed the PHotoESPAÑA Master’s program and is taking part in PHotoESPAÑA 2026.
Absència (Absence), by Anthony Nietzke. Explores absence as an open territory of multiple meanings. Through spaces, gestures, and atmospheres, it invites viewers to interpret emptiness, memory, and transformation, turning each image into an intimate experience in which every gaze builds its own story. Anthony Nietzke is a visual artist specializing in analog processes, exploring various formats and techniques in photography and filmmaking, seeking to harmonize aesthetics, visual narrative, and experimentation as the essence of his artistic practice.
No muerte (No Death), by JM Ruíz Luengo. Explores the experience of physical fragility and memory through a dark, sensory visual narrative. The photobook proposes a journey through silence, transit, and permanence, in which the images suggest more than they explain. JM Ruíz Luengo found in photography a way of inhabiting time. His work explores urban observation, memory, and human presence through images in which pause, transit, and perception hold a central place.
Circus, by Manolo Sosa. 32 photographs taken during a circus’s visit to the island in 2012, sparked by the artist’s curiosity to find out how people lived and worked both inside and behind the scenes. Manolo Sosa is a self-taught, amateur photographer with a strong interest in documentary photography, through which he seeks to explore his own concerns.
Estenopèiques (Pinhole Photographs), by Toni Camps Coll. Building pinhole cameras and creating images with them is a pastime, a hobby Toni Camps has pursued for thirty-two years; a game through which he explores the possibilities each device offers for drawing with light. This exhibition is a small sample of that extensive career. Toni Camps Coll is a self-taught photographer. After studying painting at the Escola Massana in Barcelona, he took up photography and, during the 1990s, won 1st prize in the Premio Planeta. Over the course of his career he has built an extensive archive of analog photography, exploring genres such as still life, portraiture, nude photography, and travel photography, with work carried out in North Africa, Europe, and Cuba.
Catalina de Can Joan d’En Gall, by Isa Sanz. A series of portraits of Catalina Escandell Riera, an Ibizan woman who wore the traditional peasant dress every day. At Can Joan d’en Gall, the house where she was born and lived, Catalina represents a link to the memory and identity of Ibiza. Isa Sanz is a visual artist and curator, born in Valladolid and based in Ibiza since 2010. Trained between Spain and England, her practice spans photography, video, and performance, exploring identity, the body, and human experience through a poetic and critical lens.